6.14.2009

Featured on Raising Poetry Blog!


A month ago I was featured on the Raising Poetry blog in a profile written by Ty Scott of hip hop group Platinum Souls. Check it out!

Amena Brown: The Voice of the People

by: Ty Scott

“Born a seed in the south,” with the stature of a God’s Top Model, a humble air of confidence, and a smile that lights up the darkest environments; Amena Brown has blessed audiences across the country with her polished poetic prose. For years, she’s successfully juggled a schedule full of: blazing open mics, ministering at churches such as: New Birth (GA), Buckhead Church (GA), Lakewood Community Church (TX), and Irving Bible Church (TX), and as of last year, competing nationally as a member of the 2008 Java Monkey Poetry Slam Team. Simply put- Amena Brown is a modern day rock star. And I for one wanted to re-connect with this Renaissance woman to pick her brain, and her soul, for some spiritual insight.

I’ve always been told that if you want the whole story, you must of course start at the beginning; which for Amena, poetically speaking, was at the age of 13. At a time when most of her peers were probably doodling boy’s names in their notebooks, she was discovering her own “power to excite, ignite, and inspire.” So when she hit the stage at 17, she blew audiences away. And, her refusal to be just another act is what continues to set Amena apart. She has made a commitment to bare her soul and use her words to ignite a fire for Christ amongst her generation.

“Every struggle I’ve had has turned into something I can share with other people that will hopefully help them. When I was in college my pastor used to say that God never wastes an experience and I have found that to be true. Pretty much any struggle I’ve had shows up in a poem, in a conversation, or in a talk or breakout session at some point.” Amena openly admits “one thing I really struggled with was breaking away from being so religious. I grew up in church most of my life and church was what I knew. In my 20s I’ve learned a lot of who God really is and had to unlearn being so afraid of messing up, doing things to keep up appearances, or doing all the right things for all the wrong reasons. That’s a journey I’m still on, but God has really changed my perspective on who he is and what it really means to be a believer.”

Another of Amena’s issues is one that is common to a vast majority of people around the globe- insecurities about her appearance. “When I was younger I didn’t feel like I was beautiful and I hid behind my glasses, my hair, my baggy clothes. As I grew older, I met people that saw behind all my hiding and encouraged me to not be afraid to be myself and love myself just like I was. Over time that love and learning how beautiful God thinks I am and how much time and detail he put into making me, helped me to realize I was beautiful and that I didn’t have to hide behind anything, especially not my outward appearance, religion, or trying to impress other people. I still deal with insecurities today, but the more I mature the more I am learning to accept myself as I am and other people as they are.”

Through it all, Amena’s innate ability to take personal observations and experiences, and weave them into tales that paint vivid pictures and captivate the hearts of her listeners, has placed her on platforms to spread the truth of the gospel across racial, cultural, and religious lines. Her words remind us that we are not alone in our struggles. Amena stands in the gap for many, showing us that just like she’s been through those rough places, and come out of it all more alive, we too can do the same.

To the naked eye, it would seem that she has a full plate before her. But, as a woman of great faith, Amena’s spiritual eyes see much more on the horizon. For starters, she has taken her skills to yet another level, and outlet, by establishing herself as a contributing writer for several well-respected publications. As a female freelance writer, Amena is seizing the opportunity to show other women that you can “carry yourself as a professional and as a classy woman in situations where the industry you’re working with needs to see that. I also really enjoy meeting and talking with other women who are in my similar life situation or industry. Meeting other women who are walking the same path as you is so encouraging, because we can help to keep each other’s heads up.”

Obviously, Amena’s favorite childhood hobby of reading has served her well. And now, God is writing an extraordinary story through her. She is an inspiration to women, and men alike. Having stepped out of boxes of complacency, tradition, religion, and gender stereotypes, Amena is carving a path all her own.

“I think my major ah-ha moment came in my mid-twenties. That’s when I realized I didn’t know who I was if I wasn’t busy doing ministry and that a lot of the reason I was praying, spending time with God, doing “spiritual” things was because other people were looking at me. At that point, God started me on a journey of unearthing the motivations of my heart, stripping me of pleasing people, and bringing me to a place where I want to please him above all. I’m still learning and growing, and I hope I’m learning and growing the rest of my life.”

Her experiences of being raised in the church, attending & graduating college away from home, discovering her “voice” through poetry, and traveling to spread the good news, are building a powerful testimony. When she’s gone from this world, Amena wants to “leave a legacy of living my life to the fullest, leaving no dreams unturned, being real and downright honest, while living my life for God. I would like those things to permeate everything I do.” At least that was her answer at the time of this interview, because as she said: “that’s a big question, and I’m sure my answer will change as I live.”

You can keep up with the globe-trotting, Proverbs 31 woman, and download some of her master-pieces, by visiting her at:

http://www.amenabrown.com

www.myspace.com/amenabrown

6.05.2009

Scotty Barnhart CD Release: Saying it Plain


*Thanks to guest blogger, Wayne James for covering this show for me and to Fiona Bloom for the media pass!

by Wayne James, blogger and bass player for Gritz and Jelly Butter

I have to admit that I am guilty of a certain kind of elitism when it comes to distinguishing the traditional art form of jazz from the newest variations. Not that variations are bad, but I suppose I want to separate the unmistakable sound that my father’s jazz represented from...well, everything else. So when I got the opportunity to cover the release of solo CD Saying it Plain, by one of Atlanta’s jazz greats, trumpeter Scotty Barnhart, I jumped at the chance to be reminded of the original beauty and passion of this distinctly American art form.

Barnhart has toured the world with definitive jazz institutions such as the Count Basie Orchestra, and has recorded with the likes of Frank Sinatra, Cab Calloway, Joe Williams, Ray Charles and Tito Puentes. Say It Plain includes musical contributions from Eddie & Wynton Marsalis, Clark Terry, and Marcus Roberts among others, standing as a testament to Barnhart’s high regard among his peers.

Barnhart played trumpet as a young boy at Ebenezer Baptist Church, and was christened by Martin Luther King Jr., and baptized by Martin Luther King Sr. Barnhart’s performance at the historic Martin Luther King, Jr. Center was double billed as both a CD release and an honorable tribute to an era and a people that were at the heart of the civil rights revolution and heavily influenced his early life.

I was taken immediately by the simplicity, humility, and effortless nature of Barnhart’s sound especially when compared with the backdrop of today’s entertainment-oriented music scene. With Bill Peterson on piano, Kevin Smith on bass, and Leon Anderson on drums, Barnhart walked on stage, cordially greeted the audience, and began to make beautiful music. The album’s title track, “Say It Plain,” eased us into his world with an infectious, finger-snapping groove, peppered with Barnhart’s growling trumpet. His set grew adventurous as he plunged the audience head first into “Burning Sands,” an exhilarating and up-tempo display of his technical prowess wrought with rapid tempo and mood changes.

The night included guest appearances from a number of talented artists/musicians: saxophonist Ricardo Pascal, jazz guitarist Rik Waller, and vocalist Jamie Davis who joined Barnhart for the classic ballad, “Young at Heart.” Davis’ warm, husky baritone, reminiscent of Lou Rawls, combined with Barnhart’s muted trumpet had me grimacing with appreciation.

By the time we got to “Haley’s Passage,” a soft & contemplative stroll that successfully highlights Barnhart’s well-known soloist ability, I was a committed fan. Barnhart and his band closed out the night with an all out jam session during which any musician in the audience was invited to participate.

After the concert, I asked Scotty what he’d say to younger musicians trying to find their way in this new era of music. He paused for a moment and said, “Pay attention to what you’ve been given”. Now that is saying it plain.

5.21.2009

Atlanta Intown Article: Creative Community

Creative Community
Atlanta INtown Newspaper May Issue

Westside Arts District emerges as gallery destination

Atlanta's Westside, between Howell Mill Road and Means Street, has become a burgeoning locale for contemporary art. Long a gathering place for creative people, the area has become home to a collective of nine gallery spaces now known as the Westside Arts District.

Westside Arts District is a mix of commercial galleries, nonprofit spaces, and a coffeehouse: Atlanta Contemporary Arts Center, Bobbe Gillis Gallery, Emily Amy Gallery, Get This! Gallery, Kiang Gallery, Octane Coffee Bar, SALTWORKS, the Robert C. Williams Paper Museum and Sandler Hudson Gallery. Created in January, the district's monthly "Westside Art Walks" are already creating a buzz among artists and art lovers.

"I sent out a blanket e-mail to all the galleries I knew that existed in the area and said I think we should try to get together and collaborate on something," said Emily Amy, owner of Emily Amy Gallery. "I didn't know any of the gallery owners at the time. I was almost shocked at how quickly everyone responded. We talked about forming the organization during our first meeting."

Although the Atlanta Contemporary Art Center, Octane and Sandler Hudson Gallery have been established in the area for more than four years, other galleries migrated to the area in the last two years from Castleberry Hills and the Old Fourth Ward, citing location and lower rents.

"Castleberry has stalled as a visual arts area and become more of a center for nightlife," said Ben Roosevelt, an artist whose work whose work has been shown at Get This! Gallery and will be featured at the Robert C. Williams Paper Museum. "The challenge of Atlanta, with everything spread so far apart, is that there's not really one arts district. The Westside is a great location because it's more accessible to the greater population of Atlanta."

Every Third Saturday, Westside Arts District hosts the Art Walk, encouraging the Atlanta community to engage in a fresh way with contemporary art. From 11 a.m. to 5 p.m. families, students, and art enthusiasts take their sneakers to the streets, touring the art gallery spaces and attending educational talks. The art spaces are all within one mile of each other and two or three lectures or artist talks are included each month.

"There are people out there who are curious buyers, but they would rather get on a plane and go to New York because they don't know what's available here," said Christina Caudill, co-owner of SALTWORKS. "We want to make people aware, both the buyer and the general public, of what we're doing here."

Octane, the only arts space in the collective that doubles as a coffeehouse, has its art curated by owner Tony Riffel and is a place where people gather to discuss arts before and after the monthly arts walk.

Said Riffel, "Art has been a big part of what we have been doing from day one. Our walls are great for different exhibits. We rotate every month, and we only focus on local art. We're really trying to capture the artists that aren't getting attention from other galleries. It's been great to see the creative community grow around us. To see it come to life now is really exciting."

5.11.2009

Music Moments Blog 2: What Was Your Musical First?

May is Mena’s Music Month and as many of you know I have a habit of coining random celebrations. lol Blogging about musical moments and memories is not only a great way to celebrate May but it’s also alliteration. Everyone needs alliteration! This week I solicited some quotes from a few cool people about their musical firsts. The amazing thing about music is that it holds memories for all of us across generation, culture, and gender. So read on for some nostalgic musical firsts and feel free to share some of your own.

FIRST ROCK SONG
Amena Brown, writer/talker/spoons player
Sixth grade. I had just moved from Silver Spring, MD to San Antonio, TX and was highly unhappy about it. Felt like I went from really cool place to live to really slow, cowboy boots, flatland place to live. (no offense to my Texas peeps! lol) I was having a hard time fitting in, but somehow found a friend in a tall freckle-faced, brown haired boy named Daniel. Daniel was always in trouble, so when our class went to do fun stuff like play on the computer or have recess, he was typically leaning against some wall at the teacher’s behest for his bad behavior. I would stop and talk to him sometimes since we kind of had something in common. He couldn’t have fun with the class and I frankly didn’t want to. lol He told me about the Red Hot Chili Peppers. Asked me if I’d ever heard a song called “Under the Bridge.” I hadn’t so he sang me the words and told me to check it out. I caught the video on MTV and loved it! After that I’d always check on Daniel during his times of detention and sing a few of the lines with him. I still know all the words to that song.

FIRST LIVE SHOW
Leaf, Singer/Songwriter
I think my first live show was Goapele. I actually went to go see another artist that night at the temple bar in Los Angeles and stayed around to see the other artists. And I must tell you that watching her with her band inspired my brother to encourage me to put my own band together which I did soon after. It was really a great show but my most favorite live show was AMEL @ Sugar Hill in ATL. There was just something about the magnitude of energy and love reciprocated in the room between Amel and us fans that I have yet to experience again. Hopefully it will be one of my own shows.

FIRST INSTRUMENT I LEARNED
Leaf, Singer/Songwriter

The first instrument I learned was the guitar. At four years old while living in Los Angeles, 54th and Venice in South Central, a friend of my parents brought over an old beat up guitar with holes in it and just two strings. And my dad used to tell the story that I just walked over and started playing and I've been playing ever since.

FIRST HIP HOP MOMENT
Marc McCartney, Blogger
Director of Events, www.RightNow.org

My Dad was a football coach and I loved being around him. So as a little kid, I spent a ton of hours on the practice field and in the locker room. Music was always the pulse of the locker room. I could walk into the locker room and just by listening to the music I would know what was going on.

Before games you hear something with lots of bass to get the juices flowing. Before practice you might hear something a little more upbeat, but not too intense. After practice is going to be something mellow and lazy. After a loss – no music! But after a win – that’s when you get the hip hop. Everyone was excited and juiced up and ready to let it all out. The team would sing the songs aloud – practically shouting the music – it was a party in that locker room and it was so much fun! Run DMC, Sir Mix A Lot, Public Enemy, Biz Markie, Rob Base & DJ E-Z Rock, and the list goes on… those were the days!

FIRST LIVE SHOW AND FIRST 45
Chuck Woo, Managing Director, Woo Media Works
Blogger/Marketing Consultant, www.chuckwoo.com

As a 6 year old being able to witness the hardest working man in show business and the smooth Temptations gave me a soulful appreciation of music and entertainment. James Brown was the best entertainer and could move the crowd just dancing.

Don't know if I remember my first music store experience, however the first 45 that I bought for 67 cents was James Brown, which I think I still have somewhere.

FIRST ALBUM
Dan Kimball, author/speaker, www.dankimball.com

I think the first full album I ever bought was KISS's "Destroyer" album. I was fascinated with KISS as a kid. I think it was the whole stage show, lighting, smoke machines, the drums that rose in the air during the drum solo and all the theatrics that they did that no one else was doing like that back then. I am quite embarrassed to say but I saw KISS 3 times live in concert while in high school.

FIRST DEEJAY EXPERIENCE
Matthew “Opie” Owen, DJ and Saxophone player

The first time I was on my turntables in front of a crowd, a large youth group had hired me to come and make it hot that night. I was kind of panicking because I wasn't exactly sure how to hook everything up, but I didn't want to let them know that. Even though my right table was coming out of my left on the mixer and my left was coming out of the right, the crowd was moving and I've been in love ever since.

FIRST CASSETTE TAPE
AJ Joiner, www.TheASpot.com

“It’s not bippety-bop mama.” I pleaded sincerely as I tried to convince my Mama to cough up $7.99 so I could buy UTFO. 
I’d heard ‘Roxanne, Roxanne’ and ‘The Real Roxanne’ at friends’ houses, but Grandma wasn’t allowing that ‘bee-bop mess’ in her house, and Mama wasn’t either. Shortly thereafter I scammed my Uncle into buying the tape and it. Was. On. 



We spent weeks with the tape deck locked, loaded and on record/pause. I wrote lyrics in my ‘Rap notebook’ and was ready at a moment’s notice for a ‘battle’ with my brother and friends to rap the lyrics to anything by UTFO. 
“Calling Her a Crab, Roxanne, Roxanne, Bite It, The Real Roxanne” are all classics in their own right. Dr. Ice, Kangol Kid, Mixmaster Ice, and the Educated Rapper pioneered the early 80’s version of what we call ‘diss’ and reply albums. 

No true hip hop head can stroll down Hip Hop memory lane without touching the Untouchable Force Organization better known as UTFO. 



What were some of your musical firsts?

5.04.2009

Music Moments Blog 1: Theme Songs

theme song: \ˈthēm\ \ˈsoŋ\ noun 1 a musical composition that inspires and motivates

I’ve learned that the only time dreams just happen to you is in your sleep. In real life, the achieving of dreams takes work, risking failure and rejection, and refusing to settle for what is comfortable or convenient. A theme song can be a great way to keep yourself focused and motivated. These tunes keep me encouraged to be myself, to keep going even when it would seem easier to call it quits, to sing really loud, to dance, and to believe.

Off the Wall – Michael Jackson
Yes, this song is about the boogie, but let’s dig a little deeper. Michael is singing a metaphor here, something Pink picked up on in “God is a Deejay.” Life -- the dance floor. God – the deejay. You – hopefully are not leaning against the wall scared to dance. Not only does this song rock, but also it reminds me to not get too comfortable leaning against the wall in life.

“Life ain’t so bad at all if you’re living off the wall.” – Michael Jackson

Strength, Courage and Wisdom – India.Arie
India.Arie is one of my FAVORITE artists. She writes the songs that say what I want to say, and this one is closest to my heart out of all of them. I love this song because it communicates the balance of living your dream: I do my part and God does his. There are times to make a move and times to let it be. This is also a great workout song! (Shout out to the treadmill!)

“I close my eyes and I think of all the things that I wanna see…” – India.Arie

Breakaway – Kelly Clarkson
I’ll admit it. I LOVED Kelly Clarkson’s first album (shout out to dr. hoch who hipped me to it!) When I first heard the song “Breakaway,” Andy Stanley was doing a series of messages with the same title at Buckhead Church. I cried at all of them because I knew that breaking away from what was comfortable is what I would have to do if I was going to live my life to the fullest. At the time that was a tall order because it meant a serious interruption in my routine and perspective. Looking back on that moment I’m glad I took the risk of leaving my convenience and comfort to pursue something new.

“Make a wish, take a chance, make a change, and breakaway.” – Kelly Clarkson

Pretty Girl – Eric Roberson
I believe God can speak to us through many things and I realized after listening to this on repeat 20 zillion times lol that I love this song because it sounds like something God would say. I can imagine him watching this girl, the same way a dad marvels at, loves, and protects his daughter. Telling her that she doesn’t have to settle for less than what she’s worth. That there is more to her than her physical appearance. That he sees beauty in her beyond her smile. This song, reminds me of how big God’s love is and that thankfully his love doesn’t depend on how good we are or how much we have it together.

“Open your eyes and realize you’re worth much more. Oh so much more.” – Eric Roberson


“That’s my theme music. Every good hero should have some.” – John Slade, I’m Gonna Git You Sucka (check the video around 7:50...really watch all of it, it's hilarious! lol)


Your turn. What are some of your theme songs?

3.17.2009

J*Davey show at Sugar Hill

Saturday night I was doing double duty, wearing two wonderfully artistic hats. One as a poet at a qualifying slam with the Java Monkey Decatur, GA and Knoxville, TN slam teams and the other as a journalist/blogger at the J*Davey show at Sugar Hill. My homeboy and fellow writer Adam Beane agreed to tag team blog with me about the J*Davey show so none of the festivities would be missed. He is officially a part of history -- my first guest blogger. :) What follows is an insider view into the evening. A glimpse, if you will, of conversation, texts, and pseudo-twittering. lol For your reading pleasure...



Adam arrives at 9:30, sure he’s late, but hears DJ TaBone and remembers that nothing in Atlanta starts on time - absolutely nothing.

Adam is absorbing the scene: white guys in suits & ties, faux blipsters in flannels and ladies with more variations of natural than Whole Foods, Sevananda and Trader Joe’s combined.

Adam peeps the paintings being constructed by Flux of Binkis Recs on the side of the stage.

Adam watches a white girl who he thinks is CJ from 95.5 The Beat welcome the crowd.

Adam thought Dres tha Beatnik was hosting…???

Adam sees Ali “ALIen” Warren take the stage on some Clyde Stubblefield drumming meets Rahzel “Godfather of Noyze”.

Adam accompanies ALI’s DJ through the medley of hip hop crowd movers…yes, I concur Hov “Brooklyn, we do, in fact, go hard”

Adam is mesmerized as the only thing ALIen is unable to do on drums is sit still. So sick…

Adam watches ALIen take off his shirt (no E. Lynn Harris) while drumming…stand on the kick while drumming…and walk through the audience with his snare while (you guessed it) still drumming.

Adam is digging how ALIen pours the Red Bull can over the drum set providing the audience with an 80’s glam rock video splash scene every time he “click-clacks(!)”.

Thoroughly entertained, Adam is wondering why ALIen wasn’t billed on the flyer…?

Adam has no time to contemplate, Atlanta-native The Doll Daze promptly takes the stage donning masquerade half masks.
Adam is digging her indie rock soul vibe.

Adam was doing fine until the Acid Girls, The Doll Daze’s promo team, walked in front of him trying to steal his attention.
Adam peeps Janelle Monae slide into the venue with Brittany Bosco.

Back on his grizzly, Adam thinks The Doll Daze pleasantly fill a void left by RES.

Adam wonders if RES, Kweli and this Idle Warship joint is really gonna produce results for either of them…

Single tracking my train of thought, Adam is grooving to “Words”, “2040” and “Please Everybody” which is a good sign for Doll Daze if I can remember the names of your songs.

Adam applauds as Doll Daze bids farewell to an appreciative audience.

Adam considers getting a drink until he looks at how packed the bar has become and realizes a cranberry juice ain’t worth all that.

Adam sees Brittany Bosco’s band take their places and digs the two keyboardists, bassist, guitarist, drummer and DJ that Bosco has brought along with her.

Adam listens as somehow Brittany gets two intros…one from the white girl followed by another from Dres.



Adam is feeling how Brittany Bosco comes out looking like Lena Horne…long eyelashes and all.

Adam watches as Brittany’s commanding voice fills the room and her body’s contortions ensure all eyes are on her.

Adam can’t quite get the “City of Nowhere” chant right that Brittany wants everybody to sing.

Adam thinks Brittany Bosco is about as dynamic a performer as you’re going to see before becoming famous.

Adam is slightly distracted as the couple next to him discusses Brittany Bosco’s unconventional looks.

Adam likes that Brittany and her cousin (pulled from the audience) end her set singing a duet of “He Loves Me (Lyzel in E Flat)”.

Adam decides that he’s seen Brittany Bosco perform even better, but loves that she always seems to leave it all on the stage.

Adam is eagerly anticipating J*Davey when he gets a tap on his shoulder from his pen sister Amena.



amena is trying to catch up with adam but got distracted looking at how the guy next to adam was focusing some serious energy on his two step, then dres and the deejay got on that al green love and happiness, at which time amena had to cut a lil rug.

amena wants to thank dj tabone for playing this..."i wanna rock right now. i'm rob base and i came to get down. i'm not internationally known, but i'm known to rock the microphone!"

amena got some cool footage of janelle monae and dres tha beatnik dancing to a groove.



amena thinks j*davey's music has the ability to make you feel like you have been transported inside your radio.

amena thinks some of j*davey's beats rock.



amena went to the front to snap a picture and caught a whiff of smoke, not of the nicotine kind.

amena wonders if this whiff helps the audience to enjoy j*davey's music.

amena watches people party like it's 1988 while listening to j*davey.

pseudo tweet blog: java monkey/knoxville slam

As previously stated in this here blog, my cell phone is incapable of 21st duties such as checking email, facebook, twittering and the like. In an effort to update my status at events I go old school and write down what I would twitter if I could. For your reading pleasure, my "tweets or something like that" about the qualifying slam I participated in between the Java Monkey and Knoxville slam teams on Saturday, March 14.

amena is hanging out with kim possible and j marie on the way to java monkey.

amena is listening to kim possible read a portion of outliers and feeling inspired.

amena is happy to see rhea sunshine and black atticus from the knoxville slam team.
amena just saw bryan patillo without his locks...wow!

amena huddles up with tonight’s java monkey slam team: tavares, gypsee yo, and bryan patillo, to coolly strategize for the slam.

amena wants to make it known that coolly strategize is another term for four poets looking at each other and saying "so whatchu wanna do?"

amena is digging tavares' poem about inspiring the kids.

amena is sniffling some and hopes it won't affect her performance.

amena performs "God bless mom" and gets the two judges who've been giving high 7s and low 8s all night to come up a couple of decimal points.

amena gets a blasted time penalty for taking her sweet time on "God bless mom."

amena realizes that when rhea sings it sounds like chuuuuuuch.

amena is a gypsee yo fan!

amena watched gypsee yo perform autobiography and had to stand up and shout!

amena wants to thank courageous from knoxville for standing up for the good men and for showing love to everyday women. I’m about that! :D

amena thinks it’s ridiculous that tavares’ amazing poem about the birth of his son got such low scores. haters.

amena enjoyed slamming and having a friendly win with the java team.